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In the 21st century two Victorian poets who published little in the 19th century, Thomas Hardy (xxxx?xxxx) and Gerard Manley Hopkins (xxxx?89), are now regarded as major poets. While Hardy first established his reputation the late 19th century with novels, he also wrote poetry throughout his career. However he did not publish his first collection until xxxx, so that he tends to be treated as a 20th-century poet. Hopkins Poems were published posthumously by Robert Bridges in xxxx. Hopkins' poem "The Wreck of the Deutschland", written in xxxx, first introduced what Hopkins called "sprung rhythm."[213] As well as developing new rhythmic effects, Hopkins "was also very interested in ways of rejuvenating poetic language" and frequently "employed compound and unusual word combinations".[214] Several 20th-century poets, including W.H. Auden, Dylan Thomas, and American Charles Wright, "turned to his work for its inventiveness and rich aural patterning".[214]America also produced major poets in the 19th century, such as Emily Dickinson (xxxx?86) and Walt Whitman (xxxx?92). America's two greatest 19th-century poets could hardly have been more different in temperament and style. Walt Whitman (xxxx?xxxx) was a working man, a traveler, a self-appointed nurse during the American Civil War (xxxx?xxxx), and a poetic innovator. His major work was Leaves of Grass, in which he uses a free-flowing verse and lines of irregular length to depict the all-inclusiveness of American democracy. Whitman was also a poet of the body, or "the body electric," as he called it. In Studies in Classic American Literature, the English novelist D. H. Lawrence wrote that Whitman "was the first to smash the old moral conception that the soul of man is something 'superior' and 'above' the flesh". Emily Dickinson (xxxx?xxxx), on the other hand, lived the sheltered life of a genteel, unmarried woman in small-town Amherst, Massachusetts. Within its formal structure, her poetry is ingenious, witty, exquisitely wrought, and psychologically penetrating. Her work was unconventional for its day, and little of it was published during her lifetime. Many of her poems dwell on death, often with a mischievous twist. One, "Because I could not stop for Death", begins, "He kindly stopped for me." The opening of another Dickinson poem toys with her position as a woman in a male-dominated society and an unrecognized poet: "I'm nobody! Who are you? / Are you nobody too?"A change came in the Victorian era with a profusion on the London stage of farces, musical burlesques, extravaganzas and comic operas that competed with productions of Shakespeare's plays and serious drama by dramatists like of James Planché and Thomas William Robertson. In xxxx, the German Reed Entertainments began a process of elevating the level of (formerly risqué) musical theatre in Britain that culminated in the famous series of comic operas by Gilbert and Sullivan and were followed by the xxxxs with the first Edwardian musical comedies. The length of runs in the theatre changed rapidly during the Victorian period. As transportation improved, poverty in London diminished, and street lighting made for safer travel at night, the number of potential patrons for the growing number of theatres increased enormously. Plays could run longer and still draw in the audiences, leading to better profits and improved production values. The first play to achieve 500 consecutive performances was the London comedy Our Boys, opening in xxxx. Its astonishing new record of 1,362 performances was bested in xxxx by Charley's Aunt.[215] Several of Gilbert and Sullivan's comic operas broke the 500-performance barrier, beginning with H.M.S. Pinafore in xxxx, and Alfred Cellier and B. C. Stephenson's xxxx hit, Dorothy, ran for 931 performances. After W. S. Gilbert, Oscar Wilde became the leading poet and dramatist of the late Victorian period. Wilde's plays, in particular, stand apart from the many now forgotten plays of Victorian times and have a much closer relationship to those of the Edwardian dramatists such as Irish playwright George Bernard Shaw (xxxx?xxxx), whose career began in the last decade of the 19th century, Wilde's xxxx comic masterpiece, The Importance of Being Earnest, holds an ironic mirror to the aristocracy and displays a mastery of wit and paradoxical wisdom.A major British lyric poet of the first decades of the 20th century was Thomas Hardy (xxxx?xxxx). Though not a modernist, Hardy was is an important transitional figure between the Victorian era and the 20th century. A major novelist of the late 19th century, Hardy lived well into the third decade of the 20th century, but because of the adverse criticism of his last novel, Jude the Obscure, in xxxx, from that time Hardy concentrated on publishing poetry. On the other hand another significant transitional figure between Victorians and modernists, the late-19th-century novelist, Henry James (xxxx?xxxx), continued to publish major works into the 20th century. James had lived in Europe since xxxx and became a British citizen, but this was only in xxxx, and he was born in America and spent his formative years there.[216] Another immigrant, Polish-born modernist novelist Joseph Conrad (xxxx?xxxx) published his first important work, Heart of Darkness in xxxx and Lord Jim in xxxx. The American exponent of Naturalism Theodore Dreiser's (xxxx?xxxx) Sister Carrie was also published in xxxx. However, the Victorian Gerard Manley Hopkins's (xxxx?89) highly original poetry was not published until xxxx, long after his death, while another major modernist poet, Irishman W. B. Yeats's (xxxx?xxxx), career began late in the Victorian era. Yeats was one of the foremost figures of 20th-century literature. A pillar of both the Irish and British literary establishments, in his later years he served as an Irish Senator for two terms. Yeats was a driving force behind the Irish Literary Revival. In xxxx he was awarded the Nobel Prize in Literature as the first Irishman so honoured[217] Yeats is generally considered one of the few writers who completed their greatest works after being awarded the Nobel Prize; such works include The Tower (xxxx) and The Winding Stair and Other Poems (xxxx).[218]But while modernism was to become an important literary movement in the early decades of the new century, there were also many fine writers who, like Thomas Hardy, were not modernists. During the early decades of the 20th-century the Georgian poets like Rupert Brooke (xxxx?xxxx), Walter de la Mare (xxxx?xxxx), John Masefield (xxxx - xxxx, Poet Laureate from xxxx) maintained a conservative approach to poetry by combining romanticism, sentimentality and hedonism, sandwiched as they were between the Victorian era, with its strict classicism, and Modernism, with its strident rejection of pure aestheticism. Edward Thomas (xxxx?xxxx) is sometimes treated as another Georgian poet.[219] Thomas enlisted in xxxx and is one of the First World War poets along with Wilfred Owen (xxxx?xxxx), Rupert Brooke (xxxx?xxxx), Isaac Rosenberg (xxxx?xxxx), Edmund Blunden (xxxx?xxxx) and Siegfried Sassoon (xxxx?xxxx). Irish playwrights George Bernard Shaw (xxxx?xxxx) and J.M. Synge (xxxx?xxxx) were influential in British drama. Shaw's career began in the last decade of the 19th century, while Synge's plays belong to the first decade of the 20th century. Synge's most famous play, The Playboy of the Western World, "caused outrage and riots when it was first performed" in Dublin in xxxx.[220] George Bernard Shaw turned the Edwardian theatre into an arena for debate about important political and social issues, like marriage, class, "the morality of armaments and war" and the rights of women.[221] An important dramatist in the xxxxs, and later, was Irishman Sean O'Casey (xxxx?xxxx). Also in the xxxxs and later Noël Coward (xxxx?xxxx) achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards. Many of his works, such as Hay Fever (xxxx), Private Lives (xxxx), Design for Living (xxxx), Present Laughter (xxxx) and Blithe Spirit (xxxx), have remained in the regular theatre repertoire.Novelists, who are not considered modernists, include: Rudyard Kipling (xxxx?xxxx) who was also a successful poet; H. G. Wells (xxxx?xxxx); John Galsworthy (xxxx?xxxx), (Nobel Prize in Literature, xxxx) whose works include a sequence of novels, collectively called The Forsyte Saga (xxxx?21); Arnold Bennett (xxxx?xxxx) author of The Old Wives' Tale (xxxx); G. K. Chesterton (xxxx?xxxx); and E.M. Forster's (xxxx?xxxx), though Forster's work is "frequently regarded as containing both modernist and Victorian elements".[222] H. G. Wells was a prolific author who is now best known for his science fiction novels.[223] His most notable science fiction works include The War of the Worlds, The Time Machine, The Invisible Man and The Island of Doctor Moreau all written in the xxxxs. Other novels include Kipps (xxxx) and Mr Polly (xxxx). Forster's most famous work, A Passage to India xxxx, reflected challenges to imperialism, while his earlier novels, such as A Room with a View (xxxx) and Howards End (xxxx), examined the restrictions and hypocrisy of Edwardian society in England. The most popular British writer of the early years of the 20th century was arguably Rudyard Kipling, a highly versatile writer of novels, short stories and poems, and to date the youngest ever recipient of the Nobel Prize for Literature (xxxx). Kipling's works include The Jungle Books (xxxx?95), The Man Who Would Be King and Kim (xxxx), while his inspirational poem "If?" (xxxx) is a national favourite and a memorable evocation of Victorian stoicism. Kipling's reputation declined during his lifetime, but more recently postcolonial studies has "rekindled an intense interest in his work, viewing it as both symptomatic and critical of imperialist attitudes".[224] Strongly influenced by his Christian faith, G. K. Chesterton was a prolific and hugely influential writer with a diverse output. His best-known character is the priest-detective Father Brown, who appeared only in short stories, while The Man Who Was Thursday published in xxxx is arguably his best-known novel. Of his nonfiction, Charles Dickens: A Critical Study (xxxx) has received some of the broadest-based praise. Another major work of science fiction, from the early 20th century, is A Voyage to Arcturus by Scottish writer David Lindsay, first published in xxxx. It combines fantasy, philosophy, and science fiction in an exploration of the nature of good and evil and their relationship with existence. It has been described by critic and philosopher Colin Wilson as the "greatest novel of the twentieth century",[225] and was a central influence on C. S. Lewis's Space Trilogy.[226] Also J. R. R. Tolkien said he read the book "with avidity", and praised it as a work of philosophy, religion, and morality.[227] It was made widely available in paperback form when published as one of the precursor volumes to the Ballantine Adult Fantasy series in xxxx.Alongside the more conservative writers mentioned, English literary modernism developed in the early 20th-century out of a general sense of disillusionment with Victorian era attitudes of certainty, conservatism, and belief in the idea of objective truth.[228] The movement was influenced by the ideas of Charles Darwin (xxxx?82) (On Origin of Species) (xxxx), Ernst Mach (xxxx?xxxx), Henri Bergson (xxxx?xxxx), Friedrich Nietzsche (xxxx?xxxx), James G. Frazer (xxxx?xxxx), Karl Marx (xxxx?83) (Das Kapital, xxxx), and the psychoanalytic theories of Sigmund Freud (xxxx?xxxx), among others.[229] The continental art movements of Impressionism, and later Cubism, were also important inspirations for modernist writers.[230] Important literary precursors of modernism, were: Fyodor Dostoevsky (xxxx?81) (Crime and Punishment (xxxx), The Brothers Karamazov (xxxx); Walt Whitman (xxxx?92) (Leaves of Grass) (xxxx?91); Charles Baudelaire (xxxx?67) (Les Fleurs du mal), Rimbaud (xxxx?91) (Illuminations, xxxx); August Strindberg (xxxx?xxxx), especially his later plays.[231]
• Location: Fargo / Moorhead
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